Film review
With two current films, director Rachel Israel offers comic relief for Jewish trauma
Two unabashedly Jewish comedies were directed: The Floaters, set at a Jewish summer camp, and Influenced, a satire of Manhattan influencer culture that culminates in a b’nai mitzvah celebration.
In an extraordinary choice, Iris Haim refused to let Hamas claim another victim - opinion
In 'Cuz You're Ugly,' Israeli director Sharon Angelhart tells the story she never saw on screen
Sharon Angelhart's award-winning debut film 'Cuz You're Ugly' hits Israeli theaters
‘Maestro’ is an overly tasteful biopic
A film review of 'Maestro, which opened in theaters in Israel on Thursday and is coming to Netflix on December 20.
‘Killers of the Flower Moon’ is ‘Chinatown’ meets ‘Dances with Wolves’
A film review of Martin Scorsese’s 'Killers of the Flower Moon', which just opened in theaters around Israel.
An older man gets a second chance in 'Astolfo' - review
Astolfo is such an appealing character that there isn’t a huge amount of suspense as to how all this will end, but is enjoyable to watch it play out.
New French film is fleeting fun - review
While the two leads don’t have much chemistry together, perhaps this is part of the director’s design. They do, however, have a warm rapport.
'Love Life': A story of loss and love - review
Love Life isn’t an easy film to watch, because much of it is simply so deeply sad, but it is moving and doesn’t go for neat resolutions.
Iranian director speaks on Iranian torturers behind Haifa Cinematheque
"How can we touch his conscience and make him see that he is a monster?” He hopes that My Worst Enemy is a first step to doing just that.
Woody Allen's Coup de Chance only excels at being eye candy - film review
Coup de Chance is so lackluster that it’s almost as if someone fed an AI program the command: Write a script in French about an adulterous affair that inspires violent jealousy, set in Paris.
Koshashvili looks at a Georgian family in Israel - review
The movie was also notable for the fact that it didn’t go for some kind of cheap, love-conquers-all conclusion.
